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Morteza Khosravi: Between Action and Silence

February 24 – April 17, 2026

Morteza Khosravi, Series of Noise | In Praise of Pasolini, 2018

Morteza Khosravi

Series of Noise | In Praise of Pasolini, 2018

Oil on Canvas

70.87 x 98.42 | 180 x 250 cm

Morteza Khosravi, Series of Noise | In Praise of Pasolini, 2025

Morteza Khosravi

Series of Noise | In Praise of Pasolini, 2025

Oil on Canvas

74.8 x 114.17 | 190 x 290 cm

Morteza Khosravi, Portrait of Pasolini

Morteza Khosravi

Portrait of Pasolini

Oil on Canvas

70.9 x 51.2 in. | 180 x 130 cm

 

Morteza Khosravi, Untitled

Morteza Khosravi

Untitled

Oil on Linen

50 x 70 in. | 127 x 177.8 cm


 

Morteza Khosravi, From Salo series in praise of Pasolini

Morteza Khosravi

From Salo series in praise of Pasolini

Oil on Canvas

51.2 x 70.9 in. | 130 x 180 cm

Morteza Khosravi, From Salo series in praise of Pasolini

Morteza Khosravi

From Salo series in praise of Pasolini

Oil on Canvas

51.2 x 70.9 in. | 130 x 180 cm

Morteza Khosravi, From Salo series in praise of Pasolini

Morteza Khosravi

From Salo series in praise of Pasolini

Oil on Canvas

51.2 x 70.9 in. | 130 x 180 cm

Morteza Khosravi, Untitled

Morteza Khosravi

Untitled

Oil on Linen

46 x 38 in. | 116.8 x 96.5 cm

Morteza Khosravi, Untitled

Morteza Khosravi

Untitled

Oil on Linen

58 x 70 in. | 147.3 x 177.8 cm


 

Morteza Khosravi, Untitled

Morteza Khosravi

Untitled

Oil on Linen

70 x 50 in. | 177.8 x 127 cm


 

Morteza Khosravi, Untitled

Morteza Khosravi

Untitled

Oil on Linen

39 x 27 in. | 99.1 x 68.6 cm


 

Untitled

Morteza Khosravi

Untitled

Oil on Linen

38 x 45 in. | 96.5 x 114.3 cm


 

Untitled

Morteza Khosravi

Untitled

Oil on Linen

39 x 27 in. | 99.1 x 68.6 cm

 

Press Release

New York, NY – Leila Heller Gallery is delighted to announce the solo exhibition by Morteza Khosravi, “Between Action and Silence, the Witnessing Body”, opening on 24th February 2026. This marks the artist's first solo exibition in the United States.

“Between Action and Silence: The Witnessing Body” by Morteza Khosravi translates the ephemerality of time and the physicality of the body into the language of painting. He gives form, color, and line to the spaces between action and silence, the spaces of reflection and (re)vision. For this body of work, Khosravi drew inspiration from Pier Paolo Pasolini’s film Salò and a selection of self-taken archival images and photographs. These two sources converge thematically in their contemplation of memory, beauty, violence, and interpretation, and they substantiate the further exploration of these themes throughout the exhibition. 

 

In these paintings, the body is positioned as a witness and as a thing enduring. The simultaneous layering and removal of paint allows for the entirety of Khosravi’s process to be immediately visible for the viewer. This representation exemplifies the idea of the body as bearing, sustaining, eroding, and accumulating moments and memories. It heightens not only the visual experience but also the emotional response. Time inscribes itself onto the body, layering upon and removing pieces until the form is structurally fraught yet still standing.      

The transparency and intentional obfuscation of each piece presents the opportunity for open understanding and frequent reinterpretation. Ambiguity sits at the core of this collection. These pieces reject the rigidity of a singular explanation. They offer caveats, propose alternatives, and defy definition. They act just as memory does, as the body does. The muted colors and phantasmic lines breathe and shift with the viewer. These pieces are an exhale, a gasp, a moment sought out, and a moment found.