Viewing Room Main Site
Skip to content

Ran Hwang: Evanescence and Regeneration

October 15 – December 6, 2024

Ode to Second Full Moon_TWK, 2021,  

Ode to Second Full Moon_TWK, 2021

 

Paper Buttons, Beads, Crystals, Pins on Plexiglass

 

H29.5in x W29.5in / H75cm x W75cm

Ode to Full Moon_02412, 2024,  

Ode to Full Moon_02412, 2024

 

Paper Buttons, Beads, Pins on Plexiglass

 

H13in x W13in / H33cm x W33cm

Ode to Full Moon_02409, 2024,  

Ode to Full Moon_02409, 2024

 

Paper Buttons, Beads, Pins on Plexiglass

 

H13in x W13in / H33cm x W33cm

Ode to Full Moon_02370, 2023,  

Ode to Full Moon_02370, 2023

 

Paper Buttons, Beads, Pins on Plexiglass

 

H13in x W13in / H33cm x W33cm

Ode to Full Moon_02341, 2023,  

Ode to Full Moon_02341, 2023

 

Paper Buttons, Beads, Pins on Plexiglass

 

H13in x W13in / H33cm x W33cm

Ode to Full Moon_02333, 2023,  

Ode to Full Moon_02333, 2023

 

Paper Buttons, Beads, Pins on Plexiglass

 

H13in x W13in / H33cm x W33cm

Ode to Full Moon_02332, 2023,  

Ode to Full Moon_02332, 2023

 

Paper Buttons, Beads, Pins on Plexiglass

 

H13in x W13in / H33cm x W33cm

Beyond the Serenity_P, 2024,  

Beyond the Serenity_P, 2024

 

Paper Buttons, Beads, Pins on Plexiglass, Painting

 

H39.3in x W39.3in / H100cm x W100cm

Beyond the Serenity, 2024,  

Beyond the Serenity, 2024

 

Paper Buttons, Beads, Pins on Plexiglass, Painting

 

H39.3in x W39.3in / H100cm x W100cm

Becoming Again_AA4, 2023,  

Becoming Again_AA4, 2023

 

Paper Buttons, Beads, Pins on DIASEC

 

H94.4in x W23.6in / H240cm x W60cm

Becoming Again_AA3, 2023,  

Becoming Again_AA3, 2023

 

Paper Buttons, Beads, Pins on DIASEC

 

H94.4in x W23.6in / H240cm x W60cm

Becoming Again_AA2, 2023,  

Becoming Again_AA2, 2023

 

Paper Buttons, Beads, Pins on DIASEC

 

H94.4in x W23.6in / H240cm x W60cm

Becoming Again_BY3, 2021,  

Becoming Again_BY3, 2021

 

Paper Buttons,Beads, Crystals, Pins on Plexiglass + Plexiglass Frame

 

H95.2in x W24.4in x D4.7in / H242cm x W63cm x D12cm

Becoming Again_BB5, 2024,  

Becoming Again_BB5, 2024

 

Paper Buttons,Beads, Crystals, Pins on Plexiglass + Plexiglass Frame

 

H95.2in x W24.4in x D4.7in / H242cm x W63cm x D12cm

Becoming Again_BB4, 2024,  

Becoming Again_BB4, 2024

 

Paper Buttons,Beads, Crystals, Pins on Plexiglass + Plexiglass Frame

 

H95.2in x W24.4in x D4.7in / H242cm x W63cm x D12cm

Becoming Again_ETBF, 2024,  

Becoming Again_ETBF, 2024

 

Paper Buttons, Beads, Pins on Plexiglass

 

H94.4in x W141.7in (6p) / H240cm x W360cm (6p)

Healing oblivious aqua_OS, 2024,  

Healing oblivious aqua_OS, 2024

 

Buttons, Hanji Paper, Beads, Pins on Wooden panels

 

H78.7in x W141.7in (3p) / H200cm x W360cm (3p)

Press Release

New York, NY — Leila Heller Gallery is delighted to announce Evanescence & Regeneration, a solo exhibition by acclaimed Korean artist Ran Hwang, on view from October 15th through December 7th, 2024. Residing in both Seoul and New York City, Hwang is renowned for her intricate and meditative contemporary installations. Her works are featured in prominent private and public collections, including The Brooklyn Museum, Houston Museum of Fine Art, and The National Museum of Contemporary Art, Seoul.


Evanescence & Regeneration explores the transient nature of existence, a theme central to Hwang’s work and artistic process. Using unconventional materials such as buttons, threads, and thousands of meticulously hammered pins, Hwang creates visually captivating installations that evoke the cyclical themes of life, death, and rebirth. The repetitive and labor-intensive act of hammering pins by hand is not only a creative process but also a meditative one. It serves as a metaphor for the passage of time, allowing Hwang to visualize cosmological cycles, where each step of creation and rebirth through the process of conception, installation, and de-installation, mirrors the impermanence of the natural world.


Visitors to Evanescence & Regeneration will experience works that embody a delicate balance between enduring presence and fleeting existence. Hwang’s installations are site-specific, thoughtfully designed to interact with the space of Leila Heller Gallery at 22 E 80th Street. The de-installation of these works symbolizes the end of one life cycle and the beginning of another, reinforcing the artist’s contemplative approach to ephemerality and regeneration.


This exhibition offers a deep exploration of the themes of transformation, spirituality, and time, inviting viewers to pause and consider the delicate and cyclical nature of life itself.