Julie Hamisky
Celery Root Vase, 2019
Copper and brass
16.51 x 12.7 x 14 in. / 6 1/2 x 5 x 5 1/2 in.
Julie Hamisky
Arbolito Vase, 2019
Copper and brass
Julie Hamisky
Broccoli Head I, 2019
Oxidized copper
5.08 x 10.16 x 5.72 cm. / 2 x 4 x 2 1/4 in.
Julie Hamisky
Leaf Hoop Earrings, 2019
Copper and Brass
3 5/8 x 1 x 2 1/4 in / 9.2 x 2.54 x 4.45 cm
Julie Hamisky
Lilac Earrings, 2019
Copper and brass
Julie Hamisky
Apple Slice Earrings, 2019
Copper and brass
Julie Hamisky
Sandrine Silvered, 2019
Galvanic copper and brass
4.8 x 2.9 cm. / Single earring: 1 7/8 x 1 1/8 in.
Julie Hamisky
Cactus Big Flower Earrings, 2019
Copper and brass
10.16 x 3.81 x 1.27 cm. / 4 x 1 1/2 x 1/2 in.
Julie Hamisky
Triple Or Earrings, 2019
Copper and brass
Julie Hamisky
Green Fruit Ring, 2019
Copper and brass
Julie Hamisky
Lilac ring, 2019
Copper and brass
Julie Hamisky
Lilac, 2019
Oxidized copper
5.08 x 10.16 x 5.72 cm. / 2 x 4 x 2 1/4 in.
Julie Hamisky comes from a family of artists. From a young age, she showed an affinity for sculpture practices. After beginning her sculptural practice with her father during her teens, she traveled to Paris, and later Michoacan, Mexico to receive a formal art education. For the next 20 years, Hamisky worked alongside her grandmother, renowned sculptor Claude Lalanne. During this time, Lalanne introduced Hamisky to the process of electrolysis - a process, which turns live plants into metal. Electrolysis would later become the foundation of Hamisky’s jewelry making process. Hamisky says: “In the footsteps of Claude, I am using whatever nature can provide.
From Julie Hamisky:
I grew up in a family of artists, most of them sculptors and was surrounded by a special atmosphere where my interest never stopped growing. I had curiosity for all: materials, designs, tools, and techniques. When I was a teenager, I started working with my father on his sculptures. Then I went to art school in Paris for three years and later I had the opportunity to go to Mexico. A good friend of my grand parents (also their technical mentor) and his wife a sculptor as well, had an arts and crafts school in Michoacán. I lived and studied there the techniques of metal and Mexican culture. When I came back to France, I started to work with my grand mother Claude Lalanne and I worked by her side for twenty years along with my husband, Darius Metcalf.
There I completed a long formation and developed the work of electrolyzing; a technique my stepfather taught to my grand mother and then she passed it on to me. That’s now the main technique I use in my work. In the footsteps of Claude, I am using whatever nature can provide, turning it into metal And transforming it to express myself.