Viewing Room Main Site
Skip to content

Ayad Alkadhi: Sunken Republic

January 26, 2026

Ayad Aklkadhi, Snake In The Garden Of Eden, 2025

Ayad Aklkadhi

Snake In The Garden Of Eden, 2025

Oil, acrylics and charcoal on canvas

72 x 48.4 in. | 183 cm x 123 cm

Ayad Aklkadhi, Sacrificial, 2012

Ayad Aklkadhi

Sacrificial, 2012

Oil, acrylics and charcoal on canvas

72 x 48.4 in. | 183 cm x 123 cm

Ayad Aklkadhi, Sunken Republic, 2012- 2025

Ayad Aklkadhi

Sunken Republic, 2012- 2025

Oil, acrylics and charcoal on canvas

72 x 96 in. | 183 cm x 244 cm

Ayad Aklkadhi, Geneses III, 2019 - 2025

Ayad Aklkadhi

Geneses III, 2019 - 2025

Oil, acrylics and charcoal on canvas

32.6 x 72 in. | 83 cm x 183 cm

Ayad Alkhadi, Freedom Influx, 2025

Ayad Alkhadi

Freedom Influx, 2025

Oil, charcoal, acrylic, oil stick on Arabic newspaper on canvas

37 x 48 in. | 94 x 122 cm

Ayad Aklkadhi, Ascending The Abyss, 2025

Ayad Aklkadhi

Ascending The Abyss, 2025

Oil, acrylics and charcoal on canvas

72 x 48.4 in. | 183 cm x 123 cm

Ayad Aklkadhi, Burning The Republic, 2012 - 2025

Ayad Aklkadhi

Burning The Republic, 2012 - 2025

Oil, acrylics and charcoal on canvas

32.6 x 72 in. | 83 cm x 183 cm

Ayad Aklkadhi, In Vitro I, 2012 - 2013

Ayad Aklkadhi

In Vitro I, 2012 - 2013

Oil, acrylics and charcoal on canvas

96 x 72 in. | 244 cm x 183 cm

Ayad Aklkadhi, Geneses II, 2025

Ayad Aklkadhi

Geneses II, 2025

Oil, acrylics and charcoal on canvas

72 x 72 in. | 183 cm x 183 cm

Ayad Aklkadhi, In Vitro II, 2012 - 2013

Ayad Aklkadhi

In Vitro II, 2012 - 2013

Oil, acrylics and charcoal on canvas

132.3 x 96 in. | 336 cm x 244 cm

Ayad Aklkadhi, Revelations I, 2025

Ayad Aklkadhi

Revelations I, 2025

Oil, acrylics and charcoal on canvas

48 x 60 in. | 122 cm x 153 cm

Ayad Aklkadhi, Forsake Me Not, 2014 – 2025

Ayad Aklkadhi

Forsake Me Not, 2014 – 2025

Oil, acrylics and charcoal on Arabic Newspaper on canvas

72 x 72 in. | 183 cm x 183 cm

Ayad Aklkadhi, Freedom Fighters II, 2014 - 2025

Ayad Aklkadhi

Freedom Fighters II, 2014 - 2025

Oil, acrylics and charcoal on canvas

72 x 48.4 in. | 183 cm x 123 cm

Ayad Aklkadhi, Eye Of The Storm, 2018- 2025

Ayad Aklkadhi

Eye Of The Storm, 2018- 2025

Oil, Acrylic, charcoal and marker pen on canvas

48 x 60 in. | 122 cm x 153 cm

Ayad Aklkadhi, Cords and Spines, 2025

Ayad Aklkadhi

Cords and Spines, 2025

Oil, acrylics and charcoal on canvas

48 in x 48 in. | 122 cm x 122 cm

Ayad Aklkadhi, Revelations II, 2025

Ayad Aklkadhi

Revelations II, 2025

Oil, acrylics and charcoal on canvas

72 in x 48.4 in. | 183 cm x 123 cm

Ayad Aklkadhi, The Chosen I, 2025

Ayad Aklkadhi

The Chosen I, 2025

Oil, acrylics and charcoal on canvas

72 x 48.4 in. | 183 cm x 123 cm

Ayad Aklkadhi, The Four Horsemen, 2025

Ayad Aklkadhi

The Four Horsemen, 2025

Oil, acrylics and charcoal on canvas

72 x 72 in. | 183 cm x 183 cm

Ayad Alkadhi, Le Déluge, 2018- 2025

Ayad Alkadhi

Le Déluge, 2018- 2025

Oil, acrylic, charcoal, oil stick and marker pen on canvas

72 x 96 in. | 183 cm x 244 cm

Press Release

Dubai, UAE – Leila Heller Gallery is delighted to announce the upcoming solo exhibition, a curated selection of artworks by Ayad Alkadhi titled Sunken Republic opening on 27th January 2026.

 

Sunken Republic confronts the viewer with raw, tangled scenes that resist neat narratives. Explosions of form and fracture echo the chaos of life shaped by political conflict, social unrest, and the relentless pressure to survive. Figures knot together in states of tension — flesh intertwined with bone, plant matter, and clouds of pigment — balancing corporeal solidity with dissolution. In Sunken Republic, Ayad Alkadhi examines the psychological and physical consequences of living in a world defined by persistent instability. Drawing from lived experience alongside recent global and regional upheavals, the exhibition presents a body of paintings forged through themes of conflict, displacement, and endurance. These forces do not sit at the margins of the work; they form its structural core. Alkadhi brings bodies, landscapes, and fragments of history into collision, constructing scenes that feel at once deliberate and perpetually on the verge of unraveling.

His visual language moves fluidly across art historical and contemporary references — from Renaissance compositional structure to Japanese woodblock aesthetics, alongside the immediacy of street art and comic-book imagery. Precise draftsmanship coexists with drips, neon ruptures, and dissolving edges, creating surfaces that feel both controlled and volatile. Figures twist, fuse, and disperse, hovering between presence and disappearance, as if caught mid-transformation. Across the exhibition, upheaval operates as both subject and condition. The paintings question who holds power, who is erased, and how identity is reshaped under pressure. Bodies become landscapes; landscapes become contested territory. History is not depicted as fixed, but as something fractured, layered, and continually rewritten. Rather than offering resolution, Sunken Republic proposes liberation as unstable and ongoing — something glimpsed in moments of rupture, in unfinished lines, and in forms that refuse to fully settle. The works hold tension without release, inviting viewers to sit within uncertainty and to recognize survival itself as an act of resistance.