
Giverny: 96, 2019
Archival Pigment Print; Signed on Verso
Edition 1 of 10 + 2 APs
35.56 x 30.48 cm., 14 x 12 in.
Leila Heller Gallery, New York, is thrilled to present the debut exhibition of work by American photographer Aileen Bordman, whose photographs of Claude Monet’s iconic gardens in Giverny, France, capture what the Impressionist painter called “my one and only masterpiece.”
Aileen Bordman is the celebrated author of two best-selling books about Claude Monet (France 1840-1926) and Giverny. Her acclaimed film, Monet’s Palate, is currently available nationwide through American Public Television. The fifteen works in this exhibition will be accompanied by a catalogue with texts by Bordman and curator, Janis Gardner Cecil.
With a technique founded in twentieth century photography, Bordman uses a variety of Sony cameras, always fitted with Zeiss lenses (the same brand that Monet himself used in his spectacles). Bordman’s extensive knowledge of Monet’s planting process in the Bassin, Clos Normand, and the artist’s two-acre kitchen garden has been fundamental to her artistic practice, as she has sought to capture Monet’s intricate garden compositions and color schemes. Just as Monet brought his rich understanding of color theory and atmosphere to Giverny’s garden design, Bordman’s aesthetic is shaped by the Impressionist movement, including a focus on the effects of changing light and temporal mood.
Detail, Giverny: 35 2016
Archival Pigment Print: Signed on Verso
Edition 1 of 6 + 2 APs
50.8 x 76.2 cm., 20 x 30 in.
Bordman’s photographs of Giverny range from large-scale, horizontal landscapes that capture views of the Japanese Bridge and water lilies of the Bassin to the rose-covered archways and meandering paths of the Clos Normand. Other works focus on tightly composed sections of the artist’s cultivated color harmonies in the full bloom of the spring season. Bordman’s carefully conceived images capture many of the hundreds of species of flora that comprise Giverny’s gardens. Her work reflects a deep and intimate knowledge of the site and its particularities, which only a lifetime of passionate study could allow.
With a technique founded in twentieth century photography, Bordman uses a variety of Sony cameras, always fitted with Zeiss lenses (the same brand that Monet himself used in his spectacles). Bordman’s extensive knowledge of Monet’s planting process in the Bassin, Clos Normand, and the artist’s two-acre kitchen garden has been fundamental to her artistic practice, as she has sought to capture Monet’s intricate garden compositions and color schemes. Just as Monet brought his rich understanding of color theory and atmosphere to Giverny’s garden design, Bordman’s aesthetic is shaped by the Impressionist movement, including a focus on the effects of changing light and temporal mood.
Claude Monet outside of his house in Giverny, France
Aileen Bordman remarks, “Through decades of studying Monet’s Garden at Giverny, from my youth in the 1980s to now, I have observed that Giverny has changed in a multitude of ways. With these works, I seek to share the grand vision that Monet intended for his most special creation. Monet’s enduring love for nature is often present in his paintings yet is felt most at Giverny through his careful selection and arrangement of thousands of flowers, bushes and trees with dazzling color and distinct perspectival effects. Since its restoration, the garden has evolved into a global destination, attracting over 10,000 visitors daily during the season. Through my work I aim to share the serenity, energy, and beauty of Giverny, inspiring others to experience it for themselves.”
Embodied in Bordman’s Giverny series is the history of the garden as a personal refuge, source of inspiration, and a place of divine expression. Within every image there is the animating spirit of the garden’s creator - Claude Monet - as well as the physical labor and dedication of as many as one hundred horticulturalists and laborers that tend to the garden’s design, continued growth and cultural legacy. Parallel to the appreciation for the extraordinary beauty of the garden lies the appreciation of its fragility. The threat of global warming, the necessity of a fresh water supply, and the reliance upon human caretaking are implicit in every frame.
Giverny: 96, 2019
Archival Pigment Print; Signed on Verso
Edition 1 of 10 + 2 APs
35.56 x 30.48 cm., 14 x 12 in.
Giverny: 95, 2019
Archival Pigment Print; Signed on Verso
Edition 1 of 10 + 2 APs
30.48 x 35.56 cm., 12 x 14 in.
Giverny: 93, 2015
Archival Pigment Print; Signed on Verso
Edition 1 of 10 + 2 APs
30.48 x 35.56 cm., 12 x 14 in.
Giverny: 83, 2014
Archival Pigment Print; Signed on Verso
Edition 1 of 10 + 2 APs
35.56 x 30.48 cm., 14 x 12 in.
Giverny: 82, 2018
Archival Pigment Print; Signed on Verso
Edition 1 of 6 + 2 APs
50.8 x 76.2 cm., 20 x 30 in.
Giverny: 80, 2016
Archival Pigment Print; Signed on Verso
Edition 1 of 4 + 1 AP
101.6 x 152.4 cm., 40 x 60 in.
Giverny: 78, 2016
Archival Pigment Print; Signed on Verso
Edition 1 of 6 + 2 APs
50.8 x 76.2 cm., 20 x 30 in.
Giverny: 74, 2016
Archival Pigment Print; Signed on Verso
Edition 1 of 6 + 2 APs
50.8 x 76.2 cm., 20 x 30 in.
Giverny: 49, 2019
Archival Pigment Print; Signed on Verso
Edition 1 of 6 + 2 APs
50.8 x 76.2 cm., 20 x 30 in.
Giverny: 47, 2018
Archival Pigment Print; Signed on Verso
Edition 1 of 4 + 1 AP
101.6 x 76.2 cm., 40 x 30 in.
Giverny: 35, 2016
Archival Pigment Print; Signed on Verso
Edition 1 of 6 + 2APs
50.8 x 76.2 cm., 20 x 30 in.
Giverny: 34, 2017
Archival Pigment Print; Signed on Verso
Edition 1 of 6 + 2 APs
50.8 x 76.2 cm., 20 x 30 in.
Giverny: 28, 2016
Archival Pigment Print; Signed on Verso
Edition 1 of 4 + 1 AP
101.6 x 152.4 cm., 40 x 60 in.
Giverny: 07, 2018
Archival Pigment Print; Signed on Verso
Edition 1 of 6 + 2 APs
50.8 x 76.2 cm., 20 x 30 in.
The roots of Bordman’s passion began with her mother, Dame Helen Rappel Bordman (1932-2020), one of a small group of dedicated Americans responsible, alongside French authorities and benefactors, for the renaissance of Monet’s garden and home at Giverny. Monet lived and worked at Giverny from 1883 to 1926, but the property was bequeathed to his son after his death and ultimately left to ruin in 1947. The meticulous restoration process began in 1974 when the Institut de France, which inherited the property, asked art historian Gérald Van der Kamp (1912-2002) to restore the desolate home and gardens of Claude Monet. American philanthropist Lila Acheson Wallace, at the suggestion of Metropolitan Museum Curator, Charles Moffett, supported this effort with generous funds, and her friend Helen Bordman joined their vigorous campaign to rescue this cultural treasure for all to visit and enjoy.
Throughout the next years and for decades after, Dame Bordman helped to raise significant financial support to grow, maintain and operate Fondation Claude Monet in Giverny, leading the development of a creative volunteer program that has included historians, gardeners and artists alike. Dame Bordman kept an apartment at Giverny for four decades, with her daughter a frequent visitor. Drawing upon these special ties to Giverny, Aileen Bordman came to know every square inch of the garden at every time of day. Dame Bordman was awarded the Chevalier, Ordre des Arts et des Lettres, by the French Minister of Culture in 2017 in recognition of her great contribution to French culture, a rarity for an American. In honor of Claude Monet and her mother’s dedicated service to Giverny, Bordman now carries the baton, bringing the world of Claude Monet to all.
In addition to her work as a photographer, Aileen Bordman is an author, filmmaker, and entrepreneur. Bordman’s two best-selling books, Monet’s Palate Cookbook: The Artist & His Kitchen Garden at Giverny (Gibbs Smith, 2015), with a foreword by Meryl Streep, and Everyday Monet (HarperCollins, 2018), feature her photography as well as extensive information about the artist and his life.
Bordman’s acclaimed documentary film Monet’s Palate – A Gastronomic View from the Gardens of Giverny, examines the connection between fine art and fine cuisine as seen through the eyes of Claude Monet. Meryl Streep's opening narration takes the viewer through the region of Normandy and Monet's home garden. The film includes interviews with art historian Joachim Pissarro, Chefs Alice Waters, Daniel Boulud, and Roger Vergé. Screened from Cannes to New York, the film was featured during the exhibition, Monet’s Garden, held at the New York Botanical Garden in 2012 and was distributed nationally by American Public Television on PBS, where it can still be viewed.
Bordman’s work has been featured in Forbes Magazine, New York Magazine, The New York Times, and USA Today, among other international publications. Bordman has lectured about Claude Monet and the gardens at Giverny at museums and cultural venues throughout the United States, including the 92nd Street Y, Kimbell Art Museum, the Nassau County Museum of Art, The Norton Museum of Art, and The New York Botanical Garden.