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Ayad Alkadhi: Silent Words

November 21 – December 6, 2014

Ayad Alkadhi: Silent Words
Ayad Alkadhi: Silent Words
AYAD ALKADHI, Thu Alfiqar I, 2013

AYAD ALKADHI

Thu Alfiqar I, 2013

House paint, acrylic and charcoal on heavy paper

40 x 30 in / 101.6 x 76.2 cm

AYAD ALKADHI, End of Iraq, 2014

AYAD ALKADHI

End of Iraq, 2014

Acrylic on copies of Time magazine, backed on cardboard

Series of 7 works, 8 x 10.5 in / 20.3 x 26.7

AYAD ALKADHI, Crucifixion at Raqqa Town Square, 2014

AYAD ALKADHI

Crucifixion at Raqqa Town Square, 2014

Charcoal, acrylic, and pen on Arabic newspaper on canvas

72 x 72 in / 183 x 183 cm

AYAD ALKADHI, I am Baghdad (Shi'i and Sunni) IV, 2014

AYAD ALKADHI

I am Baghdad (Shi'i and Sunni) IV, 2014

Acrylic, charcoal and pen on Arabic Newspaper on canvas

48 x 48 in / 122 x 122 cm

AYAD ALKADHI, I am Baghdad (Shi'i and Sunni) III, 2014

AYAD ALKADHI

I am Baghdad (Shi'i and Sunni) III, 2014

Acrylic, charcoal and pen on Arabic Newspaper on canvas

48 x 48 in / 122 x 122 cm

AYAD ALKADHI, I am Baghdad (Shi'i and Sunni) II, 2014

AYAD ALKADHI

I am Baghdad (Shi'i and Sunni) II, 2014

Acrylic, charcoal and pen on Arabic Newspaper on canvas

48 x 48 in / 122 x 122 cm

AYAD ALKADHI, I am Baghdad (Shi'i and Sunni) I, 2014

AYAD ALKADHI

I am Baghdad (Shi'i and Sunni) I, 2014

Acrylic, charcoal and pen on Arabic Newspaper on canvas

48 x 48 in / 122 x 122 cm

AYAD ALKADHI, I am Baghdad III, 2008

AYAD ALKADHI

I am Baghdad III, 2008

Acrylic, charcoal and marker on Arabic Newspaper on canvas

48 x 48 in / 122 x 122 cm

AYAD ALKADHI, Rape of Venus IV, 2014

AYAD ALKADHI

Rape of Venus IV, 2014

House paint, acrylic, marker pen on paper

40 x 30 in / 101.6 x 76.2 cm

AYAD ALKADHI, Rape of Venus I, 2014

AYAD ALKADHI

Rape of Venus I, 2014

House paint, acrylic, marker pen on paper

40 x 30 in / 101.6 x 76.2 cm

AYAD ALKADHI, Nefertiti in Blue Bra [side], 2014

AYAD ALKADHI

Nefertiti in Blue Bra [side], 2014

House paint, acrylic, marker pen on paper

40 x 30 in / 101.6 x 76.2 cm

AYAD ALKADHI, Nefertiti in Blue Bra [front], 2014

AYAD ALKADHI

Nefertiti in Blue Bra [front], 2014

House paint, acrylic, marker pen on paper

40 x 30 in / 101.6 x 76.2 cm

AYAD ALKADHI, Rape of Venus III, 2014

AYAD ALKADHI

Rape of Venus III, 2014

House paint, acrylic, marker pen on paper

40 x 30 in / 101.6 x 76.2 cm

Press Release

Leila Heller Gallery is pleased to present ‘Silent Words,’ an exhibition of new works by Ayad Alkadhi curated by Dr. Shiva Balaghi at the gallery’s W. 57th location from November 21 through December 11, 2014. Reflecting on the tumultuous aftermath of war, Alkadhi’s art speaks to the silenced voices of those living with the everyday realities of conflict. The exhibit serves as a visual diary, showing Alkadhi’s intimate images of recent events in the Middle East.

 

Working from his studio in New York City, Alkadhi takes it all in—the chatter of political analysts, the thunderous speeches of the politicians, the deadly warnings of the terrorists—and insists that the quiet voices of those whose lives have been torn asunder be heard. Alkadhi’s art embraces the voice of Nazem Al-Ghazali, singing lyrics taken from his grandmother’s favorite Iraqi poem: I say as a dove perches close and weeps. I say, 'Oh neighbor, do you know how I feel?'

 

Words on newspaper print anchor Alkadhi’s I am Baghdad paintings. Through the glaze, one sees his self-portrait rendered in charcoal. Across his face beautifully calligraphed words are painted layer upon layer, until! they become indecipherable, and slowly overwhelm his being. Alkadhi’s deeply personal paintings are about specific events in Iraq, Syria, and Egypt, but they reflect a broader human condition of lives  touched by violence, turmoil, and dislocation. When a struggle for justice dims and hope fades, what is left? Even words seem drowned in silence.

 

Ayad Alkadhi was born and raised in Baghdad, Iraq. He left his home in the aftermath of the first Gulf War and lived in the United Arab Emirates, Jordan, and New Zealand until moving to US. Since receiving his MFA from NYU's Tisch School of the Arts in 2004, he has continued to practice in New York City, creating works that focus on cultural and political issues concerning Iraq and the wider Middle East. Alkadhi has exhibited across the Middle East, Europe, Australia, and North America, including solo exhibitions at NY's Queen Museum of Art and the Maraya Art Center in Sharjah, UAE.

 

About the curator: Shiva Balaghi is a cultural historian who teaches history and art history at Brown University. She has published widely on contemporary Middle Eastern art and Iranian visual culture—for such publications as Artforum, Canvas, Harper’s Bazaar Art, and MERIP. She is a Contributing Editor of Jadaliyya, has served on the Guggenheim Abu Dhabi Focus Group, and is a Trustee of the American Institute of Iranian Studies. Balaghi has been a curatorial consultant for the Grey Gallery at NYU, the Davis Museum at Wellesley College, and Leila Heller Gallery. Her books include Saddam Hussein: A Biography and the edited volume Picturing Iran: Art, Society, and Revolution. She holds a Ph.D. from the University of Michigan, Ann Arbor.