Viewing Room Main Site
Skip to content

Caligraffitti: 1984-2013

September 5 – October 5, 2013

PARVIZ TANAVOLI,  

PARVIZ TANAVOLI

 

Heech

Bronze

8.5 x 2.5 x 2.5 in / 21.59 x 6.35 x 6.35 cm

Edition of 12  

SHIRAZAH HOUSHIARY, Untitled II, 2004

SHIRAZAH HOUSHIARY

Untitled II, 2004
Mixed media on paper
15.75 x 15.75 in / 40 x 40 cm
© Shirazeh Houshiary
Courtesy the artist and Lehmann Maupin, New York and Hong Kong

SHIRAZAH HOUSHIARY, Untitled, 2004

SHIRAZAH HOUSHIARY

Untitled, 2004
Mixed media on paper
15.75 x 15.75 in / 40 x 40 cm
© Shirazeh Houshiary
Courtesy the artist and Lehmann Maupin, New York and Hong Kong

MASSOUD ARABSHAHI, Untitled I, 1984

MASSOUD ARABSHAHI

Untitled I, 1984

Mixed media on paper

25 x 19 in / 63.5 x 48.26 cm

MASSOUD ARABSHAHI, Untitled, 1983

MASSOUD ARABSHAHI

Untitled, 1983

Mixed media on paper

25 x 19 in / 63.5 x 48.26 cm

MEHDI QOTBI, Untitled

MEHDI QOTBI

Untitled

Lithograph

15 x 30 in / 38.1 x 76.2 cm

MEHDI QOTBI, Untitled

MEHDI QOTBI

Untitled

Lithograph

12 x 9 in / 30.5 x 22.9 cm

ETEL ADNAN, Untitled, 1984

ETEL ADNAN

Untitled, 1984

Ink on Japanese paper

28 x 20.5 in / 71.1 x 52.1 cm

ASSURBANIPAL BABILLA,  

ASSURBANIPAL BABILLA

 

Sacred Blue, 1980s

Mixed media on cardboard

45 x 23 in / 114.3 x 58.42 cm

ESRAFIL SHIRCHI, Untitled, 1991

ESRAFIL SHIRCHI

Untitled, 1991

Ink and watercolor on paper

26.3 x 9 in / 66.8 x 22.9 cm

CARLA ACCARDI, Verderosso n. 6," 1964

CARLA ACCARDI

Verderosso n. 6," 1964

Casein on canvas

22.81 x 27.5 in / 50 x 70 cm

Artists Rights Society (ARS), New York / SIAE, Rome

CARLA ACCARDI,  

CARLA ACCARDI

 

Blu Viola, 1962

Gouache on paper

39.38 in x 27.5 in / 100.1 x 70 cm

© 2013 Artists Rights Society (ARS), New York / SIAE, Rome

REZA MAFI, Untitled, 1963

REZA MAFI

Untitled, 1963

Ink on paper

22 x 20 in / 55.9 x 50.8 cm

REZA MAFI, Untitled, 1968

REZA MAFI

Untitled, 1968

Ink on paper

16 x 21 in / 40.6 x 53.3 cm

REZA MAFI, Untitled, 1974

REZA MAFI

Untitled, 1974

Ink and oil on canvas

39 x 30 in / 99.06 x 76.2 cm

MARK TOBEY, Calligraphic, 1956

MARK TOBEY

Calligraphic, 1956

Ink on paper

17.75 x 11.5 in / 45.09 x 29.21 cm

ALFONSO OSSORIO, Seed, 1979

ALFONSO OSSORIO

Seed, 1979

Crayon, ink, watercolor and wax

24 x 18 in / 60.94 x 45.72 cm 

MOHAMMED EHSAI, Untitled II, c.1970's

MOHAMMED EHSAI

Untitled II, c.1970's

Mixed media on paper

26.25 x 26.75 in  / 66.7 x 67.9 cm

Courtesy of Babak and Parisa Afkhami

MOHAMMED EHSAI, Untitled I, 1975

MOHAMMED EHSAI

Untitled I, 1975

Mixed media on paper

14.75 x 14.75 in / 37.5 x 37.5 cm

Courtesy of Babak and Parisa Afkhami

FARAMARZ PILARAM, Untitled, 1994

FARAMARZ PILARAM

Untitled, 1994

Acrylic on paper

19.5 x 28 in / 49.5 x 71.1 cm

HOSSEIN ZENDEROUDI, Untitled (The Mountains of Iran), 1965

HOSSEIN ZENDEROUDI

Untitled (The Mountains of Iran), 1965

Paint and gouache on paper

22 x 29 in / 55.9 x 73.7 cm

HOSSEIN ZENDEROUDI, Untitled, 1972  

HOSSEIN ZENDEROUDI

Untitled, 1972  

Oil on canvas 

77 x 52 in / 195.5 x 132.1 cm

© 2013 Artists Rights Society (ARS), New York / ADAGP, Paris

LEE KRASNER,  

LEE KRASNER

 

Water No. 18, 1969

Gouache on Howell paper

19 x 15 in / 48.25 x 38.1 cm

© 2013 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

LEE KRASNER, Seed No. 6, 1969

LEE KRASNER

Seed No. 6, 1969

Gouache on paper

22.25 x 30 in / 56.52 x 76.2 cm

© 2013 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

LEE KRASNER, December Twenty-Second, 1980

LEE KRASNER

December Twenty-Second, 1980

Oil and lithographic collage on paper

22 x 29.5 in / 55.88 x 74.93 cm

© 2013 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

JACKSON POLLOCK,  

JACKSON POLLOCK

 

Untitled 6, 1951 (Printed 1964)

Screen print

23 x 29 in / 58.42 x 73.66 cm 

JACKSON POLLOCK, Untitled 5, 1951 (Printed 1964)

JACKSON POLLOCK

Untitled 5, 1951 (Printed 1964)

Screen print

29 x 23 in / 73.66 x 58.42 cm 

JACKSON POLLOCK, Untitled 4, 1951 (Printed 1964)

JACKSON POLLOCK

Untitled 4, 1951 (Printed 1964)

Screen print

29 x 23 in / 73.66 x 58.42 cm 

JACKSON POLLOCK, Untitled 3, 1951 (Printed 1964)

JACKSON POLLOCK

Untitled 3, 1951 (Printed 1964)

Screen print

29 x 23  in / 73.66 x 58.42 cm 

JACKSON POLLOCK,  

JACKSON POLLOCK

 

Untitled 2, 1951 (Printed 1964)

Screen print

23 x 29 in / 58.42 x 73.66 cm

JACKSON POLLOCK,  

JACKSON POLLOCK

 

Untitled 1, 1951 (Printed 1964)

Screen print

23 x 29 in / 58.42 x 73.66 cm 

PIERRE SOULAGES, Untitled

PIERRE SOULAGES

Untitled

Ink on paper

24.5 x 17.5 in / 62.2 x 44.5 cm

BEHJAT SADR, Untitled, 1961

BEHJAT SADR

Untitled, 1961

India ink on paper

15 x 18.5 in /38.1 x 47 cm

FRANZ KLINE, Untitled, 1953

FRANZ KLINE

Untitled, 1953

Oil on paper mounted on board

11 x 8.5 in / 27.9 x 21.6 cm

Courtesy of Beth Rudin DeWoody, New York

JEAN DUBUFFET, Site Aléatoire, 1982

JEAN DUBUFFET

Site Aléatoire, 1982

Acrylic on paper on canvas

26.5 x 39.5 in / 67.3 x 100.3 cm

JEAN DUBUFFET, Site Aléatoire Avec 2 Personnages, 1982

JEAN DUBUFFET

Site Aléatoire Avec 2 Personnages, 1982

Acrylic on canvas-backed paper

26.5 x 39.5 in / 67.3 x 100.3 cm

CY TWOMBLY, Untitled (Study for "Triumph of Love"), 1961

CY TWOMBLY

Untitled (Study for "Triumph of Love"), 1961

Colored pencil and graphite on paper

8.5 x 11 in / 21.6 x 27.9 cm

Courtesy of Beth Rudin DeWoody, New York

JEAN-MICHAEL BASQUIAT, Man, 1982

JEAN-MICHAEL BASQUIAT

Man, 1982

Oil stick on paper

12 x 9 in / 30.5 x 22.9 cm

JEAN-MICHAEL BASQUIAT, Untitled (Swinging Diamonds), 1987

JEAN-MICHAEL BASQUIAT

Untitled (Swinging Diamonds), 1987

Crayon, pencil, oil stick on paper

30 x 22.5 in / 76.2 x 56.5 cm

FARIDEH LASHAI, Untitled

FARIDEH LASHAI

Untitled

Acrylic and ink on canvas

35 x 35 in / 88.9 x 88.9 cm

FARHAD MOSHIRI, Untitled (My Heart is Your Love’s Play Toy), 2004

FARHAD MOSHIRI

Untitled (My Heart is Your Love’s Play Toy), 2004

Oil on canvas

57 x 44 in / 144.8 x 111.8 cm

KEITH HARING & LA2,  

KEITH HARING & LA2

 

Untitled, 1985

Ink on terracotta

24 x 12 x 10 in / 61 x 30.5 x 25.3 cm

KEITH HARING, Untitled II (Subway Drawing), 1980's

KEITH HARING

Untitled II (Subway Drawing), 1980's

Chalk on paper mounted on board

51 x 34 in / 129.5 x 86.4 cm

Courtesy James Hammond Collection

KEITH HARING, Untitled (Subway Drawing), 1985

KEITH HARING

Untitled (Subway Drawing), 1985

Chalk on paper

46 x 60.5 in / 116.8 x 152 cm

LA2, LA's lil' White Violin, 2013

LA2

LA's lil' White Violin, 2013

Oil markers and spray paint

LA2, Fire 911, 2013

LA2

Fire 911, 2013

Mixed media

RAMELLZEE, Decision of Sigma War (4 parts), 1984

RAMELLZEE

Decision of Sigma War (4 parts), 1984

Spray collage marker on board

32.125 x 160 in / 81.5 x 406 cm 

HASSAN MASSOUDY, Untitled I, 2012

HASSAN MASSOUDY

Untitled I, 2012

Ink and pigment on paper

29.5 x 21.7 in / 74.9 x 55.1 cm

Image courtesy of Sundaram Tagore Gallery

HASSAN MASSOUDY, Untitled II, 2012

HASSAN MASSOUDY

Untitled II, 2012

Ink and pigment on paper

29.5 x 21.7 in / 74.9 x 55.1 cm

Image courtesy of Sundaram Tagore Gallery

TEE BEE, Untitled, 1984

TEE BEE

Untitled, 1984

Spray paint on board

16.5 x 21.5 in / 41.9 x 54.61 cm

SHIRIN NESHAT, Zahra, 2008

SHIRIN NESHAT

Zahra, 2008

C-print and ink

14 x 11 in / 36 x 27 cm

Unique

SHIRIN NESHAT, Haji, 2008

SHIRIN NESHAT

Haji, 2008

C-print and ink

14 x 11 in / 36 x 27 cm

Unique

ROSTARR, Diluvium I, 2013

ROSTARR

Diluvium I, 2013

Ink, Acrylic on canvas

47.25 x 47.25 in / 120.02 x 120.02 cm 

ROSTARR, Ikonoclysm III, 2012

ROSTARR

Ikonoclysm III, 2012

Sumi ink on handmade paper

30 x 22.5 in / 76.2 x 57.15 cm

ROSTARR, Ikonoclysm II, 2012

ROSTARR

Ikonoclysm II, 2012

Sumi ink on handmade paper

30 x 22.5 in / 76.2 x 57.15 cm

ROSTARR, Vestigia Serpens II (Tracks of the Serpent), 2012

ROSTARR

Vestigia Serpens II (Tracks of the Serpent), 2012

Sumi and watercolor ink on handmade paper

14.75 x 41.5 in / 37.47 x 105.41 cm

ROSTARR, Vestigia Serpens I (Tracks of the Serpent), 2012

ROSTARR

Vestigia Serpens I (Tracks of the Serpent), 2012

Sumi and watercolor ink on handmade paper

14.75 x 41.5 in / 37.47 x 105.41 cm

ROSTARR, Eclipse Mars IV, 2012

ROSTARR

Eclipse Mars IV, 2012

Sumi and watercolor ink on handmade paper

29.5 x 29.5in / 74.93 x 74.93cm

ROSTARR, Eclipse Mars I, 2012

ROSTARR

Eclipse Mars I, 2012

Sumi and watercolor ink on handmade paper

29.5 x 29.5in / 74.93 x 74.93cm

ROSTARR, Eclipse Mars II, 2012

ROSTARR

Eclipse Mars II, 2012

Sumi and watercolor ink on handmade paper

29.5 x 29.5 in / 74.93 x 74.93 cm

NIELS "SHOE" MEULMAN, Unreal, 2013

NIELS "SHOE" MEULMAN

Unreal, 2013

Acrylic and pigments on linen

43 x 55 in / 109.2 x 139.7 cm

NIELS "SHOE" MEULMAN, Justified Sgraffito, 2012

NIELS "SHOE" MEULMAN

Justified Sgraffito, 2012

Acrylic on canvas

18 x 24 in / 45.72 x 60.96 cm

NEILS "SHOE" MEULMAN, S Over Justified Sgraffito, 2012

NEILS "SHOE" MEULMAN

S Over Justified Sgraffito, 2012

Acrylic on canvas

18 x 24 in / 45.72 x 60.96 cm

NIELS "SHOE" MEULMAN, Justified Shoe (Silver/Black) 2, 2012

NIELS "SHOE" MEULMAN

Justified Shoe (Silver/Black) 2, 2012

Ink on mulberry paper

32 x 44 in / 81.28 x 111.76 cm

NIELS "SHOE" MEULMAN, Unruly (Emerald), 2013

NIELS "SHOE" MEULMAN

Unruly (Emerald), 2013

Acrylic and pigment on linen

35 x 51 in / 88.9 x 129.5 cm

ROB WYNNE,  

ROB WYNNE

 

Appear!, 2013

Poured & mirrored glass

24 x 46 in / 61 x 116.8 cm

Unique

JULIEN BRETON AND DAVID GALLARD, Last Train, 2011

JULIEN BRETON AND DAVID GALLARD

Last Train, 2011

Calligraphy: Julien "Kaalam" Breton

Photography: David Gallard

23.6 x 35.4 in / 60 x 90 cm

Edition of 5 / Printed on Diasec

JULIEN BRETON AND DAVID GALLARD, Freedom, 2011

JULIEN BRETON AND DAVID GALLARD

Freedom, 2011

Calligraphy: Julien "Kaalam" Breton

Photography: David Gallard

20 x 35.4 in / 50.5 x 90 cm

Edition of 5 / Printed on Diasec

RETNA, Warning Shot, 2011

RETNA

Warning Shot, 2011

Spray paint on aluminum

95 fl / 29 m wingspan

64 ft 4 in / 19.63 m nose to tail

Photo Credit: Jason Wawro

Image courtesy of Eric Firestone Gallery

NASSER AL SALEM, God Will Raise Those Who Have Believed And Those Who Were Given Knowledge By Degrees, 2012

NASSER AL SALEM

God Will Raise Those Who Have Believed And Those Who Were Given Knowledge By Degrees, 2012

Wooden installation

29.5 x 145.7 in / 75 x 370 cm

NASSER AL SALEM, Kull II, 2012

NASSER AL SALEM

Kull II, 2012

Silkscreen on paper

59 x 59 in / 150 x 150 cm

L'ATLAS, Punition, 2011

L'ATLAS

Punition, 2011

Ink and acrylic on wood

63 x 56.7 in / 160 x 144 cm

Courtesy of the artist and Skalitzers Contemporary Art

ZIGI BEN-HAIM, Locked Look, 2013

ZIGI BEN-HAIM

Locked Look, 2013

Alkyd, canvas, and paper on aluminum

35.5 x 48 x 2.25 in / 90.17 x 121.92 x 5.72 cm

HADIEH SHAFIE, Grid 27, 2013

HADIEH SHAFIE

Grid 27, 2013
Ink and acrylic on Arches paper
41 x 29.5 in / 104 x 75 cm

POURAN JINCHI, Transparencies (group shot), 2012

POURAN JINCHI

Transparencies (group shot), 2012

Plexiglas and permanent market

AYAD ALKADHI, If Words Could Kill III, 2013

AYAD ALKADHI

If Words Could Kill III, 2013

Mixed media on heavy paper

37 x 30 in / 94 x 76.2 cm

AYAD ALKADHI, Hear My Words, 2013

AYAD ALKADHI

Hear My Words, 2013

Mixed media on heavy paper

37 x 30 in / 94 x 76.2 cm

NIR HOD,  

NIR HOD

 

Fame, 2013

Oil on plated translucent pink mirror canvas

16 x 13 in / 40.64 x 33.02 cm

EL SEED, In the desert of language, calligraphy is the shade where I rest, 2013

EL SEED

In the desert of language, calligraphy is the shade where I rest, 2013

Acrylic on canvas

74.8 x 51.2 in / 190 x 130 cm 

Courtesy Ouahid Berrehouma / itinerrance GALLERY

EL SEED, This is just a phrase in Arabic, 2013

EL SEED

This is just a phrase in Arabic, 2013

Acrylic on canvas

74.8 x 51.2 in / 190 x 130 cm

Courtesy Ouahid Berrehouma / itinerrance GALLERY

EL SEED, The shape of the city changes faster the heart of a human being, 2013

EL SEED

The shape of the city changes faster the heart of a human being, 2013

Acrylic on canvas

74.8 x 51.2 in / 190 x 130 cm

Courtesy Ouahid Berrehouma / itinerrance GALLERY

Ahmed Mater, Illuminations: Midaniyat Al Hijra, 2012

Ahmed Mater

Illuminations: Midaniyat Al Hijra, 2012

Gold lead, pomegranate tea, dupon chinese ink, xray print on Arches archival paper

60 x 40 in / 152.4 x 101.6 cm(each)

Courtesy of Athr Gallery and the Artist

 

HOSSEIN ZENDEROUDI, Untitled, 1981

HOSSEIN ZENDEROUDI

Untitled, 1981

Oil on canvas

51 x 38 in / 129.5 x 96.5 cm

© 2013 Artists Rights Society (ARS), New York / ADAGP, Paris

ZIGI BEN-HAIM, Catch Me If You Can, 2013

ZIGI BEN-HAIM

Catch Me If You Can, 2013

Alkyd, canvas, and paper on aluminum

35.5 x 48 x 2.25 in / 90.17 x 121.92 x 5.72 cm

Press Release

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“A calligraphic impulse has been behind some of the greatest works of Modern Art.” -- Jeffrey Deitch

 

"This show makes connections between pivotal artistic movements across cultures that have informed each other's creative processes. Just as the graffiti movement emerged from the economic and social turmoil of the 1970s in New York, it is now no surprise that some of the most groundbreaking street art is burgeoning all across the Middle East. Calligraphy as an art form is part of a Middle Eastern collective memory and as it continues to evolve, we are now witnessing a kinetic dialogue between these movements that will no doubt leave their mark on history." -- Leila Heller

 

 

Leila Heller is pleased to announce Calligraffiti 1984/2013, on view from September 5 – October 5, 2013. Originally curated in 1984 by Jeffrey Deitch (Director, Museum of Contemporary Art, Los Angeles) at Leila Heller’s former uptown gallery, Calligraffiti explored a myriad of possible connections shared between the seemingly disparate styles of select mid-century abstract, U.S. graffiti, and calligraphic artists from the Middle East and its diaspora.

 

By presenting an expanded and updated roster of artists including site-specific installations by emerging and established artists 30 years later, Calligraffiti 1984/2013 re-examines the global impact of street art and calligraphy as converging modes of personal expression, popular culture, and political dissent mutually grounded in arrogating the systems of language. Featuring more than 50 works by artists ranging from Jackson Pollock and Lee Krasner; Hans Hartung and Cy Twombly; Keith Haring and Jean-Michel Basquiat; and Hossein Zenderoudi and Pouran Jinchi, the exhibition will also include site-specific installations by emerging and established artists. LA2 will be creating an installation in Leila Heller Gallery’s front room visible from 25th street, while Tunisian/French artist eL Seed will be painting a mural in the 11th Avenue windows. An illustrated catalogue with an introductory text by Jeffrey Deitch will accompany the exhibition.

 

Brief Background

For centuries, calligraphers from the Middle East have visually transcribed verses from the Ayah and concepts surrounding Divine Infinity on public buildings and mosques by presenting the written word as art. In modern times, movements ranging from Dada, Surrealism, Tachism, and Abstract Expressionism have all incorporated elements of writing and language into their abstractions. Most recently, contemporary artists such as Hossein Zenderoudi, Parviz Tanavoli, Hadieh Shafie, and Pouran Jinchi, whose work will be on view, have transformed traditional Arabic script in order to create new abstract shapes and gestural marks, augmented by color, poetry, or rhyme which bridge distinctions between nationalities, generations, and beliefs.

 

As a means of political and social commentary and through name bombing, graffiti and street art exploded in the 1960s throughout North American cities. During the early 1970s in New York, the arrival of aerosol spray paint solidified graffiti’s impact on the urban landscape with words and tags accompanied by elaborate cartooninspired images seen throughout the city and particularly on subway trains. By the 1980s, elimination efforts by local city councils and transit authorities proved futile as graffiti writers began actively working in London, Berlin, Paris, and beyond. During the early 1980s, the development of a definitive graffiti style by New York artists such as Keith Haring led to its rapid acceptance within the art world via exhibitions at galleries and museums. Closely tied to hip hop’s popularity, graffiti continued its global expansion throughout the 1990s, though more as a commercial phenomenon. From December 2010 onwards, graffiti has swept across North Africa and the Middle East as a highly visible means of political protest, attracting a new wave of interest and reclaiming its importance as an unconventional, revolutionary art form. 

 

Featured Artists:

Carla Accardi

Etel Adnan

Yasmina Alaoui

Ayad Alkadhi

Massoud Arabshahi

L’ATLAS

Assurbanipal Babilla

Ben

Zigi Ben-Haim

Jean-Michael Basquiat

Julien Breton & David Gallard

Jean Degottex

Jean Dubuffet

Mohammed Ehsai

eL Seed

Keith Haring

Keith Haring and LA2

Hans Hartung

Nir Hod

Shirazeh Houshiary

Isidore Isou

Bill Jensen

Pouran Jinchi

Franz Kline

Rachid Koraichi

Lee Krasner

LA2 (Angel Ortiz)

Farideh Lashai

Maurice Lemaitre

Eugene Lemay

Reza Mafi

Hassan Massoudy

Farhad Moshiri

Shirin Neshat

Alfonso Ossorio

Faramarz Pilaram

Leila Pazooki

Jackson Pollock

Mehdi Qotbi

ROSTARR

Hadieh Shafie

Niels “Shoe” Meulman

Ramellzee

Retna

Roland Sabatier

Alain Satie

Behjat Sadr

Nasser Al-Salem

Esrafil Shirchi

Pierre Soulages

Pat Steir

Parviz Tanavoli

Tee Bee

Mark Tobey

Cy Twombly

Rob Wynne

Hossein Zenderoudi