Viewing Room Main Site
Skip to content

Soraya Sharghi: Beyond the Realm

March 4 – May 4, 2021

Anomaly, 2017 , Acrylic on canvas 

Anomaly, 2017 

Acrylic on canvas 

55 x 62 in

139.7 x 157.48 cm

Avoid the Incident, 2018, Acrylic and gold leaf on cavas 

Avoid the Incident, 2018

Acrylic and gold leaf on cavas 

51 x 63 in 

129.54 x 160.02 cm 


Out of Realm, 2017 , Acrylic and silver leaf on canvas 

Out of Realm, 2017 

Acrylic and silver leaf on canvas 

54 x 54 in 

137.16 x 137.16 cm 

The Strength of a Symbol (Eve. 7), 2019 , Acrylic on canvas 

The Strength of a Symbol (Eve. 7), 2019 

Acrylic on canvas 

78 x 45 in 

198.12 x 114.3 cm 

Revelation (Eve. 6), 2019 , Acrylic on canvas 

Revelation (Eve. 6), 2019 

Acrylic on canvas 

78 x 45 in 

198.12 x 114.3 cm 

Subdued Nature (Eve. 5), 2018, Acrylic on canvas 

Subdued Nature (Eve. 5), 2018

Acrylic on canvas 

78 x 45 in 

198.12 x 114.3 cm 

The Resolution of Eve (Eve. 15), 2021, Acrylic on canvas

The Resolution of Eve (Eve. 15), 2021

Acrylic on canvas

78 x 45 in 

198.12 x 114.3 cm

Passage, 2018 , Acrylic on canvas

Passage, 2018 

Acrylic on canvas

49 x 70 in 

124.46 x 177.8 cm 

Slay the Dragon, 2018 , Acrylic and gold leaf on canvas 

Slay the Dragon, 2018 

Acrylic and gold leaf on canvas 

44 x 78 in 

111.76 x 198.12 cm 

Indefinite Flow, 2021, Acrylic on canvas 

Indefinite Flow, 2021

Acrylic on canvas 

52 x 86 in 

132.08 x 218.44 cm

Press Release

NEW YORK, Thursday, March 4th — Leila Heller is pleased to announce Beyond the Realm, the solo exhibition of contemporary artist Soraya Sharghi. In a bold display of color and concept, Soraya’s show looks to navigate the role of power in society, exploring themes regarding the function of icons.

What does an icon look like in the 21st-century? Sharghi answers this question with one answer: “Power. To me, they are powerful -- the battle to gain power, and to win it back once power is lost.”Soraya achieves her vision through a meticulous process of reusing and recycling imagery, altering the visual foundation of her work until she is left with an original figure, steeped in history, and proudly nude. Unashamed in their femininity, uninhibited in their color, and immense in size, her figures are delicately placed in the center of the canvas, combating, with great success, their vivid, immensely detailed backgrounds.

Soraya showcases an appreciation for art history uncommon in much of contemporary art, where artists recall symbolism of the past to form a necessary dialogue within the context of the present. Her efforts underline the value of art as a medium crossing several cultural boundaries, bringing the notion of comparative mythology, or what Carl Jung once called “the collective unconscious” into the public forum of the gallery space.


Soraya Sharghi is an Iranian artist living and working in New York City. Sharghi creates works in diverse media, such as painting and sculpture. Her artistic aim is to create new myths and narratives using ancient mythology including Persian mythology, revolving around power. She does not see her process as emulating the scenery of these tales, but instead molds them to serve her purpose and creates extraordinary or supernatural beings. Sharghi collaborates across the history and myth and connects them with her today personal imaginary world, creating new stories with her new characters while personally reaching for a universal language that creates dialogues spanning different social and political contests. Sharghi holds a BFA in painting from Soore Art University in Tehran, and an MFA from San Francisco Art Institute in San Francisco, California. (After she graduated, she started teaching in SFAI public education. She taught studio classes with the subject of personal mythology in Painting and sculpture.)

She has received several awards and residences including MFA Fellowship from San Francisco Art Institute, the Murphy & Cadogan Contemporary Art Award, the Graduate Fellowship Alternate Award from Headlands Center for the Arts, finalist for Tournesol award and Blau Gold Fellowship. Residencies including The Post Contemporary and Brush Creek foundation for the Arts. Her work has shown locally and internationally such as CICA Contemporary Museum(Czong Institute for Contemporary Art) in Korea, Today Art Museum in China, MOAH Museum in Los Angeles, Columbus Museum of Art in Ohio, Andrea Schwartz Gallery and SOMArts in San Francisco, Aaran Gallery, Mah Gallery and Fair International Film Festival in Tehran, Iran among others. She will be a resident at the Philip Mill Foundation Residency this coming summer.