Moraine, 2003
Designed for Sawaya & Moroni
Pony Skin White
29.53 x 47.24 x 133 in / 75 x 120 x 338 cm
Z-Chair, 2011
Designed for Sawaya & Moroni
Stainless Steel, Polished
24 x 34.65 x 36.22 in / 61 x 88 x 92 cm
Zephyr Sofa, 2013
Designed for ZHD
Lacquered fiberglass solid body, fabric upholstery
28.74 x 125 x 118.11 in / 73 x 320 x 300 cm
Z-Play Set, 2002
Designed for Sawaya & Moroni
Fake Leather Black and White
16.54 x 28.35 x 28.35 in / 42 x 72 x 72 cm
Kuki Chair, 2013
Designed for Sawaya & Moroni
Polished Bronze
40.94 x 28.35 x 39.76 in / 104 x 72 x 101 cm
Tau XL Vase, 2015
Designed for Citco
Marble Bardiglio Nuvolato
29.13 x 19.69 x 19.69 in / 74 x 50 x 50 cm
Tau L Vase, 2015
Designed for Citco
Marble Bianco Carrara
18.9 x 15.75 x 15.75 in / 48 x 40 x 40 cm
Tau M Vase, 2015
Designed for Citco
Marble Bianco di Covelano Bluette
13.4 x 15.75 x 15.75 in / 34 x 40 x 40 cm
Tau S Vase, 2015
Designed for Citco
Marble Statuario
7.87 x 16.93 x 16.93 in / 20 x 43 x 43 cm
Tau XS Vase, 2015
Designed for Citco
Marble Bardiglio Nuvolato
7.87 x 13.39 x 13.39 in / 20 x 34 x 34 cm
Quad S Table, 2015
Designed for Citco
Marble Nero Marquina
17.72 x 23.62 x 23.62 in / 45 x 60 x 60 cm
Quad M Table, 2015
Designed for Citco
Marble Silver Wave
13.78 x 35.43 x 35.43 in / 35 x 90 x 90 cm
Quad L Table, 2015
Designed for Citco
Granite Nero Assoluto
10.63 x 59 x 59 in / 27 x 150 x 150 cm
Luna Table, 2014
Designed for Citco
Marble Carrara
30.7 x 47.2 x 126 in / 78 x 120 x 320 cm
Luna Table, 2014
Designed for Citco
Granite Nero Assoluto
30.7 x 47.2 x 126 in / 78 x 120 x 320 cm
Ring "Skein", 2013
Designed for Caspita
18 carat Black Gold
2.13 in / 5.41 cm
Silene Cuff II, 2015
Designed for The House of Aziz & Walid Mouzannar
18 Karat Pink Gold
4.33 in / 11 cm
Manifesto Vase, 2014
Designed for Lalique
Crystal with a Satin and Polished Finish
46 in / 116.84 cm
Manifesto Vase, 2014
Designed for Lalique
Crystal with a Satin and Polished Finish
46 in / 116.84 cm
Visio Vase, 2014
Designed for Lalique
Crystal with a Satin and Polished Finish
23.23 in / 59 cm
Visio Vase, 2014
Designed for Lalique
Crystal with a Satin and Polished Finish
23.23 in / 59 cm
Aqua Platters - Polished acrylic Lime/Clear, 2014
Designed for ZHD
Polished Resin
I. 1 x 4.7 x 7 in / 3 x 12 x 18 cm
II. 2 x 7 x 10 in / 5 x 18 x 26 cm
III. 2.55 x 10.2 x 17.7 in / 6.5 x 26 x 45 cm
IV. 3 x 14.2 x 23.6 in / 7.5 x 36 x 60 cm
Chess Board Field of Towers, 2014
Designed for ZHD
Polished Resin
84.6 x 39.4 x 106.3 in / 215 x 100 x 270 cm
Small Vortexx Ring with Diamonds, 2015
Designed for ZHD
White gold with white diamonds
Finger Size 53
Orchis Stools - Set of 4, 2008
Designed for ZHD
Carrara Marble
I: 32.3 x 51.2 x 51.6 in / 82 x 130 x 131 cm
II: 28.74 x 24.8 x 69 in / 73 x 63 x 175 cm
III: 23.62 x 28.74 x 51.18 in / 60 x 73 x 130 cm
IV. 24.8 x 31.5 x 58.27 in / 63 x 80 x 148 cm
Seoul Desk, 2008
Designed for ZHD
Fibreglass with high gloss lacquer paint finish
28.35 x 49.21 x 166.14 in / 72 x 125 x 422 cm
Leila Heller Gallery Dubai is pleased to invite you to the preview of “Zaha Hadid”, a mid-career exhibition of the oeuvre of internationally renowned architect Dame Zaha Hadid. Spanning the breath of Hadid’s product designs from the early 80s - on the cusp of the architect’s emergence onto the global stage - to the 2015 Liquid Glacial Collection furniture range.
From the MAXXI Museum in Rome to the London Olympic Aquatics Stadium, from the Guangzhou Opera House to the Sheikh Zayed Bridge in Abu Dhabi, over the last 30 years Hadid has engaged with architecture as a form of landscape painting, transforming the hard-geometry of 20th century vertical aspirations into a site specific horizontal reflection of multi-perspectival design, heralding a new era along the way. For this exhibition, the hallmarks of these large scale building projects and grand architecture reveal themselves in the architect’s use of a new spatial paradigm at all scales, and in a myriad of materials resulting in a multitude of forms of domestic reverie.
On the occasion of this exhibition Hadid presents over 30 bodies of design work, exemplifying her transition after the 1990s from an ‘early semi-tectonic’ into her ‘later semi-liquid’ phase. The architect’s transposition of the vertical and horizontal can be seen in the angular Seoul Desk (2008), composed in high gloss fiberglass. Hadid’s ethic of deep environmental and physical inter- connectedness is exemplified in the Tau vases (2015), whose intricate pleats seek to portray the formal complexity of natural growth systems. As the body of architecture transposes itself onto the architecture of the body in Hadid’s continuous exploration of scale and spatial relations, the intimate constructions of her jewellery collections present multi-faceted lattice pieces, portraying intricate yet extremely strong cellular structures within nature.
Hadid’s work in design presents a 21st century evolution towards iconic folds and organic forms, as well as an exploration of scale, innovation, and materiality: from the delicately tactile to the high-gloss industrial. These signature elements in the evolution of a gesture translate into lyrical condensations in the interior, domestic, or personal space.