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Arash Nazari: My Name Is Chance

January 18 – February 25, 2023

Rustam and the Seven Champions of Iran Hunt in Turan

Rustam and the Seven Champions of Iran Hunt in Turan
2022

Oil on canvas

150 x 450 cm

Rustam's Fourth Course, He cleaves a Witch, 2022

Rustam's Fourth Course, He cleaves a Witch

2022

Oil on canvas

150 x 450 cm

The Night Battle of Kay Khusran and Afrasiyab, 2022

The Night Battle of Kay Khusran and Afrasiyab

2022

Oil on canvas

150 x 450 cm

Qaran Slays Barman, 2022

Qaran Slays Barman

2022
Oil on canvas

150 x 450 cm

Dance of Sufi, 2022

Dance of Sufi

2022
Oil on canvas

150 x 450 cm

The Iranian on Mount Hamavan Attack by night, 2022

The Iranian on Mount Hamavan Attack by night

2022
Oil on canvas

150 x 450 cm

The Fifth Joust of the Rooks Ruhham Versus Barma (Book of Kings) of Shah Tahmasp

The Fifth Joust of the Rooks Ruhham Versus Barma (Book of Kings) of Shah Tahmasp
2022
Oil on canvas

150 X 450 cm

Bizhan Slays Nasiban and Stems the Turanin Night 2, 2022

Bizhan Slays Nasiban and Stems the Turanin Night 2

2022
Oil on canvas

150 x 450 cm

Bizhan Slays Nasiban and Stems the Turanin Night Raid, 2022

Bizhan Slays Nasiban and Stems the Turanin Night Raid

2022
Oil on canvas

150 x 450 cm

Temptation 2022 Oil on canvas

Temptation
2022
Oil on canvas
180 X 134 cm

The Nut Gatherers, 2022

The Nut Gatherers

2022

Oil on canvas

180 x 134 cm

Recolte De Noisettes, 2022

Recolte De Noisettes

2022

Oil on canvas

180 x 125 cm

La coupe improvisée, 2022

La coupe improvisée

2022

Oil on canvas

180 x 125

Ejecución de Lady Jane Grey, 2022

Ejecución de Lady Jane Grey

2022

Oil on canvas

170 x 200 cm

Press Release

Dubai, UAE – Leila Heller Gallery is pleased to announce artist Arash Nazari’s solo show opening on 17th January 2023.

Arash Nazari’s works are heavily influenced by Negārgari (Persian Miniature Art). In his paintings, he brings to notice the contrast between, unique classical art of miniature opposed to color tones from contemporary minimalist art. He lays the classic painting in the center of the frame and shows stretches of colour from the Negārgari on both sides of it representing speed and change in time periods. “It is as if we have passed by them briefly over time, and saw the brief moment of this art”, he says.

 

His paintings are rooted in history. Nazari looked at his cultural history and employed parts of it in his works. We see facets of wars, kings and heroes that have been selected from Negārgari versions in the 8th to 11th centuries in his works. Although they have been extracted from the midst of Iranian Paintings, they have changed drastically. We see our contemporary atmosphere in these changes. Speed is the drive engine for these changes. The artist has accelerated everything. The battle scenes have seen dramatic shifts and changes. It is as if an interpretation of Negārgari has been thrown from the past to the present. If we accept that contemporary art seeks form instead of theme, in these paintings we see the neutralization of theme and attention to form. Colors emerge more purely in these horizontal lines. It is as if someone examines the nature of dyes used in Negārgari in a chemistry laboratory. The artist has done such experiments in the language of modern painting and beyond. Existing forms and colors of Negārgari have been given more energy. A new space has been provided to invite images belonging to Ferdowsi's epic poems to a contemporary painting party.

 

Nazari has extracted paintings from their hiding places among books and small museum windows and brought them to the stage. This operation of discovering cultural history and displaying it, has created a visual dialogue. A dialogue between the mythological themes of the past and contemporary inquiries and concerns. This has made it possible for us to spend hours searching through each painting in this collection and remembering bits and pieces of concepts in interactions and image deformations. His works invite us to see the past and the present at the same time.

 

ABOUT THE ARTIST
Arash Nazari is a self-taught Iranian artist. Unlike many artists who have been interested in art since childhood, Nazari was keenly interested in mathematics and geometry. His first collection of works was done by combining the space of Qajar and Renaissance paintings with the use of hand-held and more computerized etudes on mirror steel. Nazari looks at his work as a tool for self-healing, seeing, enjoying and accepting the anomalies of our seemingly modern world. His works including this new collection showcases a conflict between tradition and modernity.