

BITCH, 2018
Neon, electrical cord
54.75 x 73.35 inches
Edition of 3 + 2 AP

IIP, 2018
Neon, electrical cord
34.75 x 23.75 inches
Edition of 3 + 2 AP

PURE Marble Jumbo, 2018
Carrara marble
50 x 30 x 21 inches
Edition of 3

Chasing Perfect I, 2018
Graphite on paper
25 1⁄2 x 35 1⁄2 inches unframed
(30 x 40 inches framed)

Chasing Perfect Pink I, 2018
Colored pencil on paper
17 x 21 inches

Pink Panty Dropper, 2018
Mixed media on canvas
60 x 96 in

Dark and Stormy, 2018
Mixed media on canvas
60 x 70 in

Natural Fractile Series CHB I, 2018
Wood, gesso, plaster, oil paint, resin, cotton, and paper
81 x 48 in (205.5 122 cm)

Natural Fractile Series (Oval III), 2018
Wood, gesso, plaster, oil paint, resin, cotton, and paper
41 x 32 in (104 x 89 cm)

Natural Fractile Series CHM, 2018
Wood, gesso, plaster, oil paint, resin, cotton, and paper
32 x 23 in (81.2 x 58.4 cm)
Natural Fractile Series CH I, 2018
Wood, gesso, plaster, oil paint, cotton and paper
20 in diameter (51 cm)
Natural Fractile Series CH II, 2018
Wood, gesso, plaster, oil paint, cotton and paper
20 in diameter (51 cm)
FMLNWF, 2018
Neon mounted to white metal box
36 in diameter (91.4 cm)
FMLMBD, 2017
Neon mounted to white metal box
40 x 60 in (101.6 x 152.4 cm)
Reflections R II, 2015
Linen, acrylic, metal leaf, metal, coated cotton string
25.5 in / 64.77 cm diameter framed
Breakfast of Champions II, 2014
Cereal boxes, acrylic, crushed glass, wood
119 x 66 x 5.25 in / 302.2 x 167.6 x 13.3 cm
Fruity Delight in Every Bite, 2014
Cereal boxes, acrylic, crushed glass, wood
67.5 x 59 x 4.5 in / 171.45 x 149.86 x 11.43 cm
Poor Teddy, 2014
Bianco Carrara Marble
18 x 16 x 14 in / 45.72 x 40.64 x 35.56 cm
In Loco Parentis, 2014
Installation with rear projection video, HD video, acrylic, Cheerios, refrigerator, high chair, metal, diamond dust
Dimensions variable
Foreplay: James and Emil, 2014
Archival pigment print
60.x 5 43 in / 153.6 x 109.2 cm
Edition of 3, 2 AP
Mirror Motherboard VI, 2013
Steel, cast metal and leather in artist's frame
60 x 60 in / 152.4 x 76.2 cm
Mirror Motherboard X, 2013
Steel and cast metal in artist's frame
48 in / 122 cm diameter
Dinner for Two: Wedding Cake, 2013
Mixed media installation
Gates of Narcissus: Motherboard 1, 2012
Steel, cast metal, leather in artist's frame
71 x 71 in / 180 x 180 cm
Gates of Narcissus: Motherboard Diptych I (detail), 2012
Steel, cast metal, leather in artist's frame
12 x 20 in / 30.5 x 51 cm
Café, 2012
Installation
Dinner for Two, 2012
Mixed media installation
16 x 5 x 2.3 ft / 488 x 152 x 70 cm
Fake Flowers: Living Room, 2012
C-print mounted to acrylic glass
76 x 55 in / 193 x 140 cm
Edition of 3, 2 AP
Fake Flowers, Dining Room, 2012
C-print mounted to acrylic glass
55 x 82 in / 140 x 208 cm
Object Petit A, 2012
Belgian black marble
24 x 17 x 17 in / 61 x 43.2 x 43.2 cm
Don’t let aging chew up your body. You have a right to your Hollywood best, 2011
C-print on rag paper
40 x 40 in / 101.6 x 101.6 cm
No Prenup, 2010
Photograph on rag paper
26 x 32 in / 66 x 81 cm
Edition of 5, 2 AP's
Get HIM to Forgive You, 2010
Photograph on rag paper
32 x 26 in / 81 x 66 cm
Edition of 5, 2 AP's
Wall of Confidence (Detail 2)
Beauty Queen Totem, 2009
Carrara Bianco Marble
Height: 11 ft/ 335 cm
Body Armor, 2009
Cold cast marble, reinforced fiberglass and lacquer
55 x 28 x 20 in / 140 x 71 x 51 cm
Born in Parkersburg, West Virginia and raised in Houston, Texas, Rachel Lee Hovnanian is a New York-based artist whose multidisciplinary practice explores contemporary notions of narcissism, obsession and intimacy, and society’s alienating addiction to modern technological advances and media. She navigates the post-internet world, merging photography, video, sculpture, painting and installation art into surreal environments that challenge viewers to examine and reevaluate their own cultural values and relationship with digital technology. Judith Stein described Hovnanian as “a wizard at fingering uncomfortable truths."
Hovnanian received her BFA from the University of Texas, Austin, and has since exhibited internationally in both solo and group exhibitions in the United States, Asia, Europe and the Middle East. Her recent solo exhibitions have been held at Leila Heller Gallery, New York; Pechersky Gallery, Moscow; Joyce Gallery, Beijing; and Foundation Pons, Barcelona. In addition, Hovnanian has been widely shown in group exhibitions including the University of Connecticut, Connecticut; Parasol Unit in London; Des Moines Art Center, Des Moines; Manarat al Saadivat, Abu Dhabi and at Loretta Howard Gallery, New York, in an exhibition curated by Beth Rudin DeWoody. Hovnanian’s artwork has been featured in numerous publications such asThe New York Times, WWD, Flaunt, Cultured, The Wall Street Journal Europe, Vogue, Interview, Tatler, Food & Wine, ARTnews, Modern Painters, Hyperallergic and BOMB.

























